Loading... Designing for Experiences – Space, Narrative, Participation. Lecture Museums, exhibitions, heritage sites require multidisciplinary thinking. Loading... Gesa von Grote: Space | Object | Light Lecture past lectures past lectures Transforming the stage, a lecture at TU Berlin with Marcel Karnapke / CyberRäuber Designing for Experiences – Space, Narrative, Participation readings readings The Art of Theatrical Sound Design: A Practical Guide Costume in Performance: Materiality, Culture, and the Body Atmospheric Architectures: The Aesthetics of Felt Spaces 3D Printing Basics for Entertainment Design Script Analysis for Theatre: Tools for Interpretation, Collaboration and Production Ming Cho Lee: A Life in Design, by Arnold Aronson INTERVIEWS INTERVIEWS In Turin at the Albertina Academy. Interview with Salvo Bitonti. papers PAPERS Technologized bodies – cyborg scenographies, by Emmanouela Vogiatzaki-Krukowski The theatre of the Russian avant-garde, by John E. Bowlt Staging supernatural creatures in a computer-based visualisation of London’s sixteenth-century Rose Theatre, by Joanne Tompkins Capturing eyes and moving souls: Peruzzi’s perspective set for La Calandria and the performative agency of architectural bodies, by Mari Yoko Hara From Candle Light to Contemporary Lighting Systems: How Lighting Technology Shapes Scenographic Practices, by Laura Gröndahl Semiotics and performing arts: contemporary issues, by André Helbo
Designing for Experiences – Space, Narrative, Participation. Lecture Museums, exhibitions, heritage sites require multidisciplinary thinking.
Staging supernatural creatures in a computer-based visualisation of London’s sixteenth-century Rose Theatre, by Joanne Tompkins
Capturing eyes and moving souls: Peruzzi’s perspective set for La Calandria and the performative agency of architectural bodies, by Mari Yoko Hara
From Candle Light to Contemporary Lighting Systems: How Lighting Technology Shapes Scenographic Practices, by Laura Gröndahl
